Messi@: A Novel

Messi@: A Novel

by Andrei Codrescu
Messi@: A Novel

Messi@: A Novel

by Andrei Codrescu

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Overview

At the end of the millennium, as Armageddon looms, two young women from opposite sides of the world unite as humanity’s last hope for salvation

In New Orleans, private investigator Felicity LeJeune has made it her mission to bring down the corrupt televangelist Reverend Mullin, leader of the United Ministries, who filched two million dollars in lottery winnings from Felicity’s unassuming grandmother. Meanwhile, Mullin’s flock of religious fundamentalists bombards the media with threats of catastrophic horror if people refuse to accept him as their savior.
 
Across the globe, the mysterious Sarajevan orphan Andrea Isbik escapes a Serbian POW camp and finds asylum in Jerusalem, where she seduces cavalcades of religious scholars before finally landing in the Big Easy herself. There, amid the reverie of Mardi Gras, something dark is building. Surrounded by a wild cast of characters, Andrea and Felicity join forces to combat the impending apocalypse, fending off millennial fervor and Mullin’s fanatical followers as the world’s religions converge on New Orleans for the end of days.
 
This riveting novel links our most ancient imaginings of Armageddon with our contemporary worship of technology.
 

Product Details

ISBN-13: 9781504015288
Publisher: Open Road Media
Publication date: 07/21/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 362
File size: 1 MB

About the Author

Andrei Codrescu (www.codrescu.com) is the editor of Exquisite Corpse: A Journal of Books & Ideas (www.corpse.org). Born in Romania, Codrescu immigrated to the United States in 1966. His first collection of poetry, License to Carry a Gun (1970), won the Big Table Younger Poets Award, and his latest, So Recently Rent a World: New and Selected Poems: 1968–2012 (2012), was a National Book Award finalist. He is the author of the novels The Blood Countess, Messi@, Casanova in Bohemia, and Wakefield. His other titles include Zombification: Essays from NPR; The Disappearance of the Outside: A Manifesto for Escape; New Orleans, Mon Amour; The Hole in the Flag: A Romanian Exile’s Story of Return and Revolution; Ay, Cuba!: A Socio-Erotic Journey; The Posthuman Dada Guide: Tzara and Lenin Play Chess; Whatever Gets You through the Night: A Story of Sheherezade and the Arabian Entertainments; The Poetry Lesson; and Bibliodeath: My Archives (With Life in Footnotes).

Codrescu is the recipient of an ACLU Freedom of Speech Award, a National Endowment for the Arts fellowship for poetry, and the Peabody Award for the movie Road Scholar. Until retiring in 2009, he was the MacCurdy Distinguished Professor of English at Louisiana State University.
 
ANDREI CODRESCU (www.codrescu.com) is the editor of Exquisite Corpse: A Journal of Books & Ideas (www.corpse.org). Born in Romania, Codrescu immigrated to the United States in 1966. His first collection of poetry, License to Carry a Gun (1970), won the Big Table Younger Poets Award, and his latest, So Recently Rent a World: New and Selected Poems: 1968–2012 (2012), was a National Book Award finalist. He is the author of the novels The Blood Countess, Messi@, Casanova in Bohemia, and Wakefield. His other titles include Zombification: Essays from NPR; The Disappearance of the Outside: A Manifesto for EscapeNew Orleans, Mon Amour; The Hole in the Flag: A Romanian Exile’s Story of Return and Revolution; Ay, Cuba!: A Socio-Erotic JourneyThe Posthuman Dada Guide: Tzara and Lenin Play ChessWhatever Gets You through the Night: A Story of Sheherezade and the Arabian EntertainmentsThe Poetry Lesson; and Bibliodeath: My Archives (With Life in Footnotes).
 

Read an Excerpt

Messi@

A Novel


By Andrei Codrescu

OPEN ROAD INTEGRATED MEDIA

Copyright © 1999 Andrei Codrescu
All rights reserved.
ISBN: 978-1-5040-1528-8


CHAPTER 1

Wherein Felicity LeJeune, a young native of the city of New Orleans, finding herself at a crossroads of life, seeks solace from the Virgin


As Marie-Frances Claire Le Bec, ninety-six years old, dozed like a wilted sprig of mint on her deathbed, her granddaughter, Felicity Odille Le Jeune, waited impatiently for the end, wondering where on earth the old woman had found so much green chiffon to pass away in.

Felicity also wondered if she should attempt to wake Grandmère, to give her a message to carry to God.

Felicity's spiky short hair, baggy clothes, pierced nostril, and eight-hole black work boots were the manifestations of the "be more manly every day" discipline she'd practiced for years. The goal of the regimen was to achieve maximum teenage boyishness by the time she turned thirty, and to maintain it indefinitely, or until the angel now hovering so patiently over Grandmère came to take her, too.

Poor Grandmère. How she had worried about proper attire, clean undergarments, correct posture, and myriad other Victorian details. For all Felicity knew, her grandmother Le Bec was the repository of the last complete set of nineteenth-century manners to exist on the planet; this was perhaps why, in her dying hour, she did not recognize the granddaughter who in comportment and manner of dress was the perfect denial of her life's work.

Felicity clicked the stud in her tongue several times against the back of her teeth. It sounded like typing. Christmas Muzak poured out of the staticky speaker on the wall, the management of Charity Hospital having apparently decided, like the rest of America, that Christmas began the day after Thanksgiving. From a bed behind a ratty curtain, an invisible patient coughed. Patients in every room started coughing at once, as if linked by a pull chain. The machine registering her grandmother's increasingly feeble life signs pinged three times in a row.

A glassy brown eye rolled upward, away from Felicity. Grandmère was awake.

"Is it Christmas?" the old woman asked.

"No, Grandmère. It's only the fourth of December."

The glassy brown eye focused briefly on the shape by the bed.

"Doctor," she asked Felicity, "has Reverend Mullin arrived yet?"

Reverend Mullin! The hound of hell! Felicity sometimes thought of Mullin as a dog yapping at her heels; at other times she saw him as a snake emerging from under her pillow just as she was about to fall asleep. She had been only thirteen when Grandmère had the dream that had bound her to Mullin — and ended Felicity's childhood. The night before Easter 1985, Grandmère had dreamed that Jesus himself appeared to her and ordered her to dispense with the paraphernalia of the popes and leave the Catholic Church. She found herself kneeling in a pasture, and his body, emanating light, filled the entire horizon. His index finger pointed to a huge television that rested between two mountains. The face of an angry man was on the screen, and written in black letters under the face were the words THE MINISTRY OF THE UTMOST GOD'S TEMPLE, 15600 VETERANS BOULEVARD, METAIRIE, LOUISIANA, JEREMY "ELVIS" MULLIN, PASTOR, TELEPHONE 999-9999.

"Mullin is your only hope, Marie-Frances, and the hope of your spawn!" thundered Jesus, even as the mountains crumbled, leaving only the TV. Scared to death of losing her soul, Grandmère pleaded in vain with the raging Savior. Begging for mercy, she recalled her devout childhood, her mother's faith, the baptisms of her children, her pilgrimage to Medjugorje with a busload of white people from Chalmette, and the Carmelite convent where her virtuous great-great-grandmère had been raised. (She still had in a trunk the lacy tear-stained handkerchiefs into which her ancestress had poured her grief at being shut away in the convent by her own mother, the light-skinned mistress of a white French Creole aristocrat.) But Jesus was stern, unequivocal, and above all, specific. Broaching no dissent, he commanded her by name: "Marie-Frances Claire Le Bec, you must be born again, or you shall never see the Kingdom of God." A spiral gust of wind sprang out of the numbers on television, and Grandmère tumbled like a leaf back into her bed.

Next day they drove out to a suburb that no one in their family would have admitted was part of New Orleans, to partake in the barbarian Baptist rites.

"The Reverend Mullin," the old woman insisted. "Where is he, Doctor? Is he here yet?" The glassy eye rolled around like a marble.

"Not yet, Grandmère. I'm Felicity, remember? I want you to take a message to God."

The old woman's eye focused on her for a stern second. "I have to be light before Jesus. I can't be going up there laden with doctor's notes."

"I'm not the doctor, Grandmère. It's Felicity. Your daughter Eliza was my mother; she ran away with a trumpet player to New York. You raised me, remember?" The bleary eye closed, but Felicity persisted. "Felicity, whose happy childhood you sabotaged with rules and regulations, whose adolescence you thwarted with visions of hell, and whose young womanhood you fucked up by giving away the only money that ever came your way. Felicity. Fe-li-ci-ty."

Felicity bit hard on her lower lip. She was so angry it was all she could do to keep herself from karate-kicking one of Charity's long-suffering walls.

She remembered holding tight her grandmother's hand, as they sat squeezed in a mass of fluttering souls sweating profusely in their Sunday best. Mullin's cologne wafted down from the pulpit like an ill wind.

"Feel the Spirit," whispered Grandmère, and Felicity imagined that the Spirit had to be the reverend's cologne. It flowed from his outstretched palms as his voice thundered down on them:

"They say that we spend too much money on television! They say one hundred million dollars a year is too much to spend on spreading the Word of the Lord! When that miscegenated freak, Prince, makes one hundred and thirty million! It's Friday in the world, but Sunday is coming! Jesus said, 'I've come to take away your sins!' Verily, brothers and sisters, I say! Whenever I look up to that TV camera I see my man tellin' me: 'Take it all away, Jeremy!' and truly it's Friday in the world, but Sunday is coming!"

It so happened that Prince, soon to be the graphic formerly known as Prince, was at the time Felicity's favorite person in the whole world. She wasn't sure what "miscegenated" meant, but she suspected it had something to do with color. People all around them swooned and fell. A blind woman lifted her tear-streaked face to the TV camera and called on America to watch her see. The snow-bright girls in the choir lifted up on the wings of a heart-ripping "Hallelujah!" and floated on the Spirit-scented air! All but one, that is: a disgruntled angel in the first row who tapped impatiently with her foot in the direction of the preacher and scratched her neck with cherry red fingernails. Maybe she loved Prince, too.

In the parking lot after the service, surrounded by pickup trucks with guns in their gun racks, Grandmère told Felicity that God was both colorblind and considerate enough to have made much blacker people than Prince and themselves. She said that Felicity was a lucky girl. God had also seen to it that all those rednecks in the pickups praised the Lord instead of hunting her and her Prince down. Felicity, who had always thought of herself as Creole, not black, got an odd sensation in the pit of her stomach. She did not like Reverend Mullin at all. Later, she found out that Mullin's God and the hunting of blacks were not mutually exclusive. One of the reverend's faithful sat on Angola's death row, drafting another appeal to the Supreme Court. He'd killed two black men because the voice of God told him to. The upcoming race war, he wrote, would prove he was right.


"Damn it, old woman. I said I got a message for you to take to God!" Felicity was angry, but she also felt guilty. She'd been told that Charity Hospital, Huey Long's legacy to Louisiana's poor, was filled to the rafters with the dying of the city. Why they had all decided to leave their earthly existence this very afternoon of Saturday, December 4, 1999, in the very last month of the second Christian millennium, was a mystery to Felicity, but maybe they knew something she didn't. Maybe she could persuade another poor soul to take her message to God. She hoped that her saying "damn" would not preclude delivery.

"One last time, Grandmère, are you hearing me?"

The old woman didn't move.

Well, that's just like her. Even dying, the woman was proper and hard. No matter. Felicity would give her the message anyway, and she would have no choice but to take it with her. Saying anything to her now was like pinning a note to her departing soul. There was no time left to unpin it.

"Tell God," she whispered, "to grant me an orgasm."


There was a commotion in the hall outside the hospital room, and Felicity knew that the devil had arrived. Reverend Jeremy "Elvis" Mullin, the great poo-bah of the United Thieves of Love, the horned and hooved one who had stolen Grandmère's soul, barged into the room. Doctors and nurses trailed behind him with notepads, asking him for autographs. Mullin was a celebrity.

"Fuck you, hypocrite and thief," she muttered as Mullin approached the dying woman's bed. "You stole Grandmère from me, you slimy bag of shit. You stole her Catholic soul from the church and from her mother and all my ancestors. Hell isn't big enough for all the pliers and drills reserved for your torment. You'll go to Catholic hell for sending Grandmère to Baptist heaven."

Felicity shut her eyes so as not to look at the tight-panted, leather-jacketed, slick-haired reptile, but she could still smell him. His expensive cologne — Jurassic — barely masked his sweaty pelt and slinking scales.

Felicity felt herself shoved aside — Mullin displaced people by sheer presence. She was forced to look at him: a knobby man with an oversized silver cross strung about his thick neck. His manicured hands were soft and pudgy; Felicity imagined them crossed behind his back while she locked a pair of handcuffs too tightly around his wrists.

Mullin knelt beside Grandmère's bed, and taking the silver cross from around his neck, held it near the tiny wrinkled fig that was her face.

"Jesus waits for you, woman! He is beaming down his welcome on you. Lord Jesus, take Marie-Frances Claire Le Bec into your arms and take her soul to your keeping!"

It was a command, rendered forcefully enough to make the whole hospital room shake. Even Felicity, enjoying the fantasy of dragging the cuffed minister on his knees through the mud, felt the power of his performance. She looked out the hospital window and saw a fat, coffin-shaped cloud slither over the Mississippi River. She knew that it was filled with all the souls leaving the city of New Orleans that very minute, and it was just waiting to pick up Grandmère's. Indeed, the cloud made directly for the hospital, and for a moment the view turned white. Then the cloud, with Grandmère's soul aboard, took off for the river again.

Felicity felt another hole opening inside her, adding itself to the others: her father, Mama, Miles ... She was as full of holes as she could be, like a piece of wormy wood, or a golf course, or an aborted flute. These were her images; she knew them well. She felt empty and holey and less substantial than the green sprig of the century-old corpse in front of her. "Take me too, Lord," she whispered. "Fill me up and make me whole, even if you have to kill me."

"What was that, daughter?" inquired Mullin unctuously, wiping the cross on his silk sleeve before hanging it back around his neck. "Can I comfort you?"

"Not on your life, motherfucker!" Felicity replied crisply.


Felicity left the room, shutting the door behind her in what she hoped was a dignified exit, and nearly knocked over a janitor angrily mopping the corridor.

"It's like goddam Saigon in 'seventy-three," he muttered. "Everybody pushin' and shovin' to take the last choppers outta hell. And me gonna do all the mopping!"

She needed to think. The Tulane entrance to Charity Hospital was a circus: mothers with coughing children clamored to be admitted; a man with a flowering wound wrapped in a T-shirt around his arm staggered right past her; two wheelchairs collided; a gaunt patient in yellow pajamas was leaning on her walker biting into a half-peeled orange; a junkie was throwing up on the steps. When Felicity gained the street, she saw an old toothless woman sitting on top of a broken TV looking at her gnarled bare feet.

"These feet," she said to Felicity, "walked they whole life." Felicity nodded. So had her Grandmère's. The old woman had walked everywhere, disdaining streetcars and buses.

It was drizzling by the time Felicity got to Basin Street. She turned onto North Rampart. Try as she might she couldn't get Mullin out of her mind. He sat there at a crucial intersection of their lives, scorching the past with his flaming yellow eyes. After her dream, Grandmère started cleaning house. The next Sunday, when Felicity would have normally put on her crisp white dress and her black patent leather shoes for morning Mass, she found neither in her closet. Missing too was the picture of Saint Cecily wrapped in her hair above the dresser. Gone from the parlor were the seven lithographs of angels, the holy water from Lourdes vase, the cherrywood rosary hanging over the sofa, the statue of the Blessed Virgin Mary, and the autographed picture of Father Hannan.

But worse things were in store for her yet.

Less than three weeks after they started being Baptists, Grandmère won the lottery — $2.1 million. Felicity, still only a pubescent sprout, had just become aware that the poverty they lived in made it impossible for her to buy clothes and CDs and go to the movies like her friends. When Grandmère announced the winning numbers, Felicity had nearly fainted from happiness. There was a pounding in her ears: To the Mall! To the Mall! To the Mall! To this day she knew the numbers by heart: 363-54-2122. She had written them at the top of her diary, a yellow book with a lock that she still had somewhere.

Next day, Reverend Mullin preached against the lottery and said that it was "the devil's money." Grandmère prayed for guidance. Monday morning she tore up the lottery ticket. After she tore up the lottery ticket, she tore up everything of sentimental value in the house, including the photo albums containing the only pictures of Felicity's mother and one picture of her dad in uniform. Felicity had often looked at her pretty mom standing under a big oak in City Park and tried to imagine herself inside her tummy. But now that picture was gone, except inside her head.

Felicity couldn't actually remember Grandmère tearing up the lottery ticket. That is what Grandmère had told her, and she had imagined the scene in such vivid detail. Felicity stopped dead in her tracks and leaned against the whitewashed wall of Saint Louis Cemetery. What if Grandmère hadn't actually torn the ticket but given it to Mullin instead? She closed her eyes and saw again the smug face of the evangelist. It was possible!

When she opened her eyes, two fat tourists, big guts spilling out of their T-shirts, were breathing beer on her. One of the T-shirts displayed pairs of breasts with the captions Figs, Melons, Pears. The other tourist was sipping from a straw that curled behind his ear from a beer can on top of his hat. His shirt said, New Orleans Crawfish: We Suck Da Heads and Pinch Da Tails. He held out a brochure to Felicity.

"Says here this useta be Storyville, Basin Street, the red lights district, girls, music, action!" He popped his fingers. "Where is Basin Street?"

Felicity knocked the brochure out of his hand and stared into his piggy eyes. She enunciated very slowly: "Once this was Storyville. Now it's a motherfucking freeway going through a fucking cemetery. You want to know what happened to the black whores, you go ask the fucking feds who put a fucking freeway through here."

They backed away; the freak looked like she was packing heat.

The light drizzle turned to rain as she entered the French Quarter at Saint Philip Street. It soaked her clothes and streaked her face and would have mingled with her tears if she'd been crying. But she was not. The cottony cloud that had collected Grandmère's soul had vanished in the leaden sky. The houses along Saint Philip Street looked dumbly at her from behind shuttered windows. They were full of as many ghosts as they could hold; wisps of white smoke wafted from their dormers. Felicity passed a store window with a large glass jar filled with colored liquid in which floated a two-headed pink lizard. Felicity forced herself to look at it. It was Mullin! The two-headed abortion was unmistakably made of the same substance as the evangelist. Felicity knew for sure that her Grandmère hadn't torn up that lottery ticket. She had offered it to Mullin on his silver collection platter, and the reptile had used the money to grow in hideous power. Her money, Felicity's money, her adolescent allowance, her college fund, her inheritance. Why else would a world-famous TV devil respond to the summons of a poor old woman dying in Charity Hospital?


(Continues...)

Excerpted from Messi@ by Andrei Codrescu. Copyright © 1999 Andrei Codrescu. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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